madonna di donatello
The circular design corresponds to Renaissance architectural forms based on pure, geometric shapes. La Madona est représentée en buste avec l'Enfant-Jésus dans ses bras. Donatello's last documented 'Madonna' is the Siena Cathedral roundel, dated to 1457 and carved largely by assistants. The Pazzi Madonna is a rectangular "stiacciato" marble relief sculpture by Donatello, now in the sculpture collections of the Bode-Museum in Berlin. A.1-1976, Giovanni Di Antonio Chellini, Marble, by Antonio Rossellino 1427-79, Florentine, Dated 1456, Museum no 7671-1861, Donatello, 'Madonna and Child', about 1455. But what mattered was the reverse, and when I turned it over I found the mould described by Chellini.â. Museum no. Throughout his career, Donatello made reliefs of the Madonna and Child in marble, terracotta and bronze. Il s'agit d'un bas-relief marmoréen de forme rectangulaire de 74,50 x 69,50 cm remontant vers 1420 ou aux années 1425-1430 environ. Revised 2012. Always an inventive and unconventional artist, perhaps he was inspired to experiment with the new medium. The roundel probably arrived in England around 1748â9, when it was bought from Chellini's descendants by Lord Malton while on the Grand Tour. This is a dramatic advance over earlier roundels of the Virgin and Child on the same small scale, where the space is not defined. L'effet de tridimensionnalité est aussi accentuée par le cadre qui a la forme d'un espace fermé perspectivement écrasé : ce détail révèle aussi un effet d'optique pour une vision vue d'en bas, ce qui confirme qu'il devait s'agir, sans doute, d'une commande pour une dévotion pratiquée essentiellement agenouillée.  It was extremely popular and is known in several copies. Indeed, there is reason to believe that it may have been made a few years earlier, while Donatello was in Padua. Quella della Madonna di Citerna é sicuramente una delle più affascinanti e rocambolesche scoperte nel campo dell'arte degli ultimi anni , un rinvenimento che ha rivelato al pubblico un capolavoro di indubbio valore artistico-culturale. Cast glass reproduction of the 15th-century 'Chellini Madonna' by Donatello, 1976. "Terracotta attribuita a Donatello (1415-1420)." The Glass Department of the Royal College of Art, London and the glass firm of Venini on Murano, Venice, experimented to see if such a cast could indeed be made using 15th-century methods. 57-1867, On 27 August 1456, the Florentine physician Giovanni Chellini Samminiati recorded in his daybook that in lieu of payment from a patient he treating for a serious illness he had received. Donatello, who spent a decade in Padua, only 12 miles from Venice, may well have known the greatest Venetian expert in glass of his day, Angelo Barovier of Murano (1405â60). The Virgin Mary is shown three-quarter-length, holding the Christ Child in her arms. The two cherubs on the right-hand side are carrying a heaped bowl in offering, perhaps a reference to this possible use.  Dating to around 1425-1430, it was probably originally produced for private devotion in the Palazzo Pazzi della Congiura in Florence at the beginning of Donatello's collaboration with Michelozzo. The roundel is 28cm in diameter and cast in bronze by the lost wax process. Il s'agit d'un bas-relief marmoréen de forme rectangulaire de 74,50 x 69,50 cm remontant vers 1420 ou aux années 1425 - 1430 environ [ 1 ] . This is a unique training opportunity for museum professionals from overseas who are interested in attracting and programming for a range of museum audiences. Cast bronze roundel depicting the Virgin and Child, known as the 'Chellini Madonna', by Donatello, Florence, Italy, about 1450. The earliest of these is considered to be the 'Pazzi Madonna' (Berlin Museums), dating from the 1420s. In emphasising architectural features in his roundel, instead of treating it simply as a frame, Donatello creates the effect that we view the Virgin and Child through an aperture in a thick wall and behind a railing. The reverse of the roundel (tondo) is a unique feature; no other bronze has such a precise negative mould. La Madonna Pazzi (Madone Pazzi) est une œuvre de Donatello conservée aux Musées nationaux de Berlin dans la collection de sculptures (Skulpturensammlung) du musée de Bode. It then passed through ownership of successive Earls Fitzwilliam before being sold in 1954. Read our, © Victoria and Albert Museum, London 2016. The donor was Donatello (1386â1466), arguably the greatest sculptor of the early Renaissance in Italy; the roundel, one of the V&A's most prized possessions. The crescent shape of the reveal above, combined with the bulge of the railing below, define a shallow stage for the scene and suggest a low viewing point. The roundel was destined to be exported to the United States, but following a public appeal and the sale of limited edition silver casts from the reverse, it was secured for the Museum in 1976. The architectural quality of the composition was such that within a few years (about 1457) Donatello adapted it for a large roundel in Siena Cathedral, where the spectator indeed saw it from below; the illusion of seeing figures within a 'port-hole' is very convincing. Written by Charles Avery, 1976, and published in the V&A Masterpieces series. Quel que soit le type de location saisonnière que vous recherchez, vous trouverez plus de 2 000 options d'hébergements meublés (Maisons, Appartements/condos et plus), idéales pour courts et longs séjours, que vous voyagiez en famille, en groupe ou en couple. Its front face corresponded with that of the other reliefs. REPRO.A.1976-1. Vous avez dit La Madonna di Citerna di Donatello, Citerna? âa roundel the size of a trencher in which was sculpted the Virgin Mary with the Child at her neck and two angels on each side, all of bronze, and on the outer side hollowed out so that melted glass could be cast on to it and would make the same figures as those on the other sideâ. They discovered it was feasible, though technically demanding. Ils s'étreignent avec une intense intimité jusqu'à composer avec leurs deux visages un seul ensemble souligné aussi par l'ovale généré par le bras de l'Enfant, tendu affectueusement vers la mère. The Victoria and Albert Museum welcomes applications for âCreating Innovative Learning Programmesâ, its new one week intensive course. Throughout his career, Donatello made reliefs of the Madonna and Child in marble, terracotta and bronze. The earliest of these is considered to be the 'Pazzi Madonna' (Berlin Museums), dating from the 1420s. The Pazzi Madonna is a rectangular "stiacciato" marble relief sculpture by Donatello, now in the sculpture collections of the Bode-Museum in Berlin. Dating to around 1425-1430, it was probably originally produced for private devotion in the Palazzo Pazzi della Congiura in Florence at the beginning of Donatello's collaboration with Michelozzo. https://en.wikipedia.org/w/index.php?title=Pazzi_Madonna&oldid=953356632, Articles with Italian-language sources (it), Articles with German-language sources (de), Creative Commons Attribution-ShareAlike License, This page was last edited on 27 April 2020, at 00:23. Museum no. Réservez votre propriété de vacances en ligne. The resultant glass plaques, whether plain or coloured, are so beautiful that they suggest that Donatello may have designed the composition specifically for reproduction in this unusual medium. In addition to its function as a glass mould, the roundel may have been intended as a birth tray (desco da parto).
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