film famosi zeffirelli

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Zeffirelli demonstrates that heat throughout. Violetta reluctantly leaves Alfredo, but his love is so strong that it leads him to actions that have tragic consequences. The last days of legendary opera singer Maria Callas. While working for a scenic painter in Florence, he was introduced to Luchino Visconti, who hired him as an assistant director for the film La Terra trema, which was released in 1948. Then he tried his hand at scenography. As a result, the question appears: is it possible to captivate, amaze and enthuse a pop corn generation's viewer with the staff of this sort? When popular artists pass on, it can often be a surprise to learn just how old they were. After two successful film adaptations of Shakespeare, Zeffirelli went on to religious themes, first with a film about the life of St. Francis of Assisi titled Brother Sun, Sister Moon (1972), then his extended mini-series Jesus of Nazareth (1977) with an all-star cast. Some of his operatic designs and productions have become worldwide classics.[2][3][4][5]. Zeffirelli attended the University of Florence to study architecture, but while there he became involved with the university’s theatre company. [17], In 1996, Zeffirelli came out as gay, but thereafter preferred to be discreet about his personal life. [20] Zeffirelli adopted two adult sons, men with whom he had lived and who worked for him for years, managing his affairs. Franco Zeffirelli was the mainstream maestro of high culture on screens big and small who dashingly made his international movie reputation with an exuberant and accessible adaptation of Romeo and Juliet in 1968; this had some pretty trad doublet-and-hose stuff and featured the syrupy “Love” theme composed for the film by Nino Rota which was to become notorious as the music for Simon Bates’s regular tearjerking Our Tune feature on Radio One. This FAQ is empty. [18], He roused controversy again when he told a newspaper in 2006 that he had not suffered any harm from sexual abuse by a priest as a child. [10] He also worked with directors such as Vittorio De Sica and Roberto Rossellini. However, Alfredo's father, Giorgio, starts to interfere, concerned that Violetta's bad reputation will affect the marriage prospects of Alfredo's sister. Over the years he created several productions for the Metropolitan Opera in New York, including La bohème, Tosca, Turandot and Don Giovanni. And in 1999, Zeffirelli made a late-career journey back into his own wartime childhood (rather like Louis Malle and John Boorman) with Tea With Mussolini, based on his own boyhood spent amongst older expat English and American ladies. The cast also stars Milo O'Shea, Michael York, … Zeffirelli’s Romeo and Juliet 1968 won Acadamy Awards for Best Cinematography and Best Costume Design; it was also nominated for Best Director and Best Picture. The year before, Zeffirelli had directed Richard Burton and Liz Taylor in another Shakespeare adaptation: The Taming of the Shrew: clever casting of course, but it was the honeyglow-sunlit romanticism of young love in Romeo and Juliet — not cynical middle-aged love — which caught the public imagination, tuned into the zeitgeist and gave Zeffirelli his massive hit. The extravagant Italian maestro of theater, opera and film lived to a vibrant old age. Romeo and Juliet on the balcony in Zeffirelli’s 1968 Romeo and Juliet movie. His studies were interrupted by Germany’s occupation of Italy; he became a Partisan and served as an interpreter for the Scots Guard. Michael York as Tybalt By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. What came out was a greatly successful work where only characters were renamed but where the audiences were provided with something special and timeless: glorious music.However, lots of modern viewers skip those classics easily reducing their knowledge to films only. Since then, the endless love story set in the 19th century Paris has inspired both opera writers and movie directors. However, Alfredo's father, Giorgio, starts to interfere, concerned... 9 of 12 people found this review helpful. Keep your little bookworms engaged outside of the classroom with our selection of the very best literary adaptations. Zeffirelli’s Romeo and Juliet 1968 won Acadamy Awards, https://www.nosweatshakespeare.com/movies/romeo-juliet/zeffirelli-1968/. Olivia Hussey’s Juliet is a stunning performance from such a young actor. Yet Zeffirelli was also a devout Roman Catholic who underwent a profound conversion after he was in a car accident in 1969. They were selected by Zeffirelli, not for their proven acting ability but swept out of their schools because he thought they looked right for the roles as he envisioned them. After the war, he re-entered the University of Florence to continue his studies, but when he saw Laurence Olivier's Henry V in 1945, he directed his attention toward theatre instead. Robinson said that he based the predatory character of Uncle Monty, in his film “Withnail and I,” on Zeffirelli. Mozart's opera in lush sets: Don Giovanni, the infamous womanizer, kills Donna Anna's father. He worked on a number of other opera and theatre productions—including the operas La traviata, Lucia di Lammermoor, La Bohème, Tosca, Falstaff, and Carmen—from the 1950s through the beginning of the 21st century. When it first came out it was a revelation. Zeffirelli frequently cast unknown actors in major roles: Leonard Whiting (Romeo in Romeo and Juliet), Graham Faulkner (St. Francis in Brother Sun, Sister Moon) and Martin Hewitt (David Axelrod in Endless Love). In 1946 he joined Luchino Visconti’s Morelli-Stoppa Company as an actor and stage director. [9] After World War II broke out, he fought as a partisan, before he met up with British soldiers of the 1st Scots Guards and became their interpreter. Acest film regizat de Franco Zeffirelli este o adaptare după opera celebră a lui Verdi. Zeffirelli, Franco; John Tooley (interviews by Anna Tims), Cheryl Crawford / Equity Liberty Theatre /, This page was last edited on 29 October 2020, at 16:08. His first major design for opera was a production (1952–53) of Gioachino Rossini’s L’Italiana in Algeri for La Scala, Milan.

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